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These sentences and paragraphs use language that describes the author’s “Will” by material either in his plays and sonnets, or from the public life and impact of whoever Shake-speare was. They are shown here to aid in finding them in the text. Could such a book have been written without these assumptions? The bracketed numbers are line counts for each.

 

11        “.... moves to London in the late 1580's and in a remarkably short time,
becomes the greatest playwright not of his age alone but of all time....
effortlessly mimes the accents of country bumpkins and takes delight in old
wives tales.” [8]

13        “As a writer he rarely started with a blank slate.... quill pen raced across the
            paper.” [6] and “.... all that is left are words on a page.... his virtual obsession
            with language.” [12]

18        “What matters most are the works, most of which.... without the First Folio
            they might have vanished forever.” [5]

23        “This particular nursery rhyme.... a pleasure all his own.” [5]

24        “In one of his early plays.... long lists of Latin synonyms.” [10]

25        “In Two Gentlemen of Verona.... total immersion in Latin.”

27        “There is hard evidence.... and wrote the Comedy of Errors.” [7]

32        “When Shakespeare sat down to write.... the great mass of ordinary people.”
            and “.... They helped him fashion.... figure of wickedness.” and “The Vice,...
            tricks played by the Vice.” [27]

34        “It may seem strange.... perverse holiday.” and “....Shakespeare grasped....
            but Othello.”             and  “To achieve this intensity.... own fools’ eyes.” [35]

35        “Here and throughout his career.... he tries to recount it.” [14]

36        “This is the joke.... to play all the parts.”  [10]

37        “These events.... understanding of the theater.” [3]

40        “.... fashioning his sense.... beaten and hung over.” [33]

41        “.... as an inexhaustible source.... the magic of the theater.” [19]

44        “.... trying to entertain the queen.... that business.” [2]

46        “Shakespeare continued to be.... left traces in his work.” [17]

47        “Years later.... hear the sea-maid’s music?” [26]

49        “Shakespeare offered.... to please his royal guest.” [27]

51        “Escape from what?.... theatrical catastrophes.” [12]

52        “The laughter in act 5.... the mask of Arion.” [58]

55        “He did not, in fact.... please to stretch it.” [29]

56        “We are constantly.... likely to bring....“ [4]

57        “He enters deftly.... that you will feed on.” [11]

58        “When he wrote.... be kept in awe.”

64        “My father charged you.... she hears con, ‘cunt’.” [44]

66        “It often happens.... decided not to pursue.” [16]

67         “Throughout his career.... have burnt our cheeks.” [17]

68        “If Caesar’s cold sobriety.... of she knew me not.” and
            “.... Shakespeare wrote this comedy.... both wit and courage.” [23]

71        “How did the son.... might have followed.” [6]

79        ‘That Shakespeare was aware.... half-defensive.” [6]

81        “The dream of restoration.... identity is striking.” [113]

84        “There is no direct relation....  the wild waves.” [31]

87        “This was a society deeply suspicious of vagrancy.
            Shakespeare would later make much in his works.... unprotected.” [2]

97        “....and hence must have been put together.... Will would have left....
            presumably taught.... whom Will certainly came to know....” [4]

105      “.... Will’s talents.... private after-dinner entertainments.” [5]

108      “.... Will.... was a staunch enough Catholic.... in his voluminous
            work of a frustrated religious vocation.” [4]

110      "And saints, Shakespeare understood.... humanly appealing.” [20]
            and “There are many forms.... not one of them.” [2]

112      “There are traces of Catholicism here.... sojourn in the north.”  [46]

119      “....  life-long fascination with women.... in his body and soul.” [25]

121      “Certainly he was able as a playwright.... what of that?” [36]

123      “If the playwright’s imagination.... specific dramatic context.” [30]

126      “It is, perhaps, as much what Shakespeare did not write as....
            repeatedly gives is very little.” [62]

129      “Yet diminished.... expectations.... frustrated longing.... spousal
            intimacy.... sexually sophisticated dark lady.” [120]

134      “Men are April when they woo.... should be undone.” [220]

140      “Shakespeare’s play.... precedes the ‘sanctimonious’ ceremonies.” [86]

151      “The question.... is not the degree of evidence.... authorities....” [41]

155      “But if this is the case.... once had gripped him.” [35]

156      “....after he had moved to London.... Oxford students.... famous.” [16]

163      “His work suggests.... immediately at home.” [3]

166      “That Shakespeare had this dream is virtually certain....
            ...... Throw them into the Thames’.” [175]

176      “In 1557 a pregnant woman.... what we do is grotesque.” [77]

197      “Whether or not Shakespeare.... to make a modest profit.” [67]

192      “The fingerprints of Tamburlaine.... at Marlowe’s achievement.” [11]

195      “.... was determined.... minor actor.... Stratford-upon-Avon.” [96]

203      “.... afford you whole Hamlets.... would have understood.” [7]

207      “Shakespeare studied Watson’s sonnets.... arrived in London.” [13]

208      “Shakespeare as by no means without.... academic self-display.” [4]

209      “Shakespeare may have sensed.... his arrival in London.” [18]

212      “After 1593.... Greene, Watson, Marlowe dead.... Comedy of Errors.” [7]

215      “The account was almost settled.... and Trojan Greeks.” [31]

216      “These parodies only suggest.... and the whole crew.” [18]

218      “While probing the relationships.... irrepressible trickster, Panurge.” [34]

221      “He himself must have been.... Give me life.” [35]

257      “.... immediately understood.... Henry V I....“ and  “One of Marlowe’s
            achievements.... figure of the Jew.” [30]
265      “Such realism was the medium.... is The Merchant of Venice.” [13]

272      “Shakespeare loved contradictions.... how he got to Shylock.” [3]

276      “Was Shakespeare in this crowd?....betray a certain connoisseurship.” [17]

278      “.... was both intrigued and nauseated.... way of killing him off.” [43]

280      “.... the grizzly execution.... may have witnessed.... synagogue, Tubal.” [128]

289      “.... may have accompanied.... Hamnet filius William Shakspere.” [13]

290      “.... no reason to think.... turns against his mother.” [23]

293      “Driving the competition.... out of business.” [17]

296      “Thought he was still young.... clowning and laughter.” [26]

312      “Did Shakespeare find.... boundaries of the play.” [7]

317      “Whatever he determined at the time.... harrow up thy soul.” [40]

321      “His works suggest that he did have faith.... a satisfactory outlet.” [10]

324      “The conceptual breakthrough.... coherent, well-made play.” [17]

329      “They were written, however.... the King’s Men.” [10]

335      “.... probably took Banquo.... of rectitude.” [15]

342      “.... in August 1605.... watches the king.” [4]

348      “As Shakespeare grasped.... king of England and Scotland.” [52]

363      “Shakespeare was hardly alone.... enterprise of making a living.” [30]

364      “.... exceptionally large income ---- more seriously nettled.” [14]

368      “Somehow in the midst.... or deified.... enclosure.” [24]

377      “Against a background of personal caution.... rich and strange.” [61]

382      “.... Shakespeare was fully immersed.... We make thee lady.” [6]

385      “This seems highly implausible.... force of humiliation.” [14]

388      “If he himself had once been drawn.... and the intimate.” [16]

389      “.... his daughter Susanna.... to end his days.” [10]

 

 

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